This  performance began in lake Wesserunsett in Main (North East of the USA) and then was been re-enacted in places like the Pacific Coast of Colombia, Mexico, California, England, Italy, Norway, Sweden, Philippines and Australia among others. The film wonders-through waterways, trespassing borderlines and rendering  nationhood as a form of contemporary confinement. Meanwhile, the performer interacts with the ocean as an unlikely context for artistic interventions. Through a derive that blurs borderlines and even the natural and geological features of radically different locations around the world, this journey traverses not only space but also temporalities by exposing the complexity of a political system that restricts human movement while expanding its networks for the transportation of goods.

In this work, a performer travels across large bodies of water and through ten countries, while drifting away in a precarious raft that references make-shit strategies for border crossing, migration and radical seafaring. 

As Nicolas Borrieaud refers in his book the Radicant: The artist has become the prototype of the contemporary traveler, homo viator, whose passage through signs and formats highlights a contemporary experience of mobility, displacement, crossing.